PATINAS AND TEXTURES DESCRIBED
TANSU BAILS:
There are two basic ways the original bail hardware
were made. Some were hand forged and some were cast in sand. Some of the real
cheap ones were machined out of wire. Of the hand forged type the texture
is the result of the hammer blows. The sand cast process leaves it's own
sand paper like texture if left unmachined. Then there is machine hammering
processes ranging from light to heavy torture. these textures combined with
certain patinas and then high lighted ( some of the patina machined off )
show the handle has had a long and well worn life. On the other end of the
texture spectrum there is high micro burnishing for a smooth shinny finish
. All my products are cast in very fine to retain the exact look and feel
of the original antique handle. With all the tell tail seams removed a piece
cast in sand from a hand forged piece now looks exactly like it was hand
forged many years ago. Another interesting texture only on certain pieces
that were heavily rusted and uniformly pitted produces a beautiful handle
with the patina laying in the recesses of the pits with the high parts worn
to the metal. Then there is speckled bronze a foundry phenomenon only occurs
on certain handles under certain conditions where there are many evenly spaced
raised aeries when patinated and high lighted looks unbelievable. There is
also hand hammering textures flat, ball peen and cross peen not generally
recommended for the tansu bails unless someone is bent on a certain look
. Certainly not on the hand forged type they ,they already look hammered.
Maybe on the ones that were originally cast that show no hammering.
SOME OF THE PATINA POSSIBILITIES:
HOT OIL CARBON BLACK
This my most called for finish it is a very durable deep rich opaque black
can be flat or lustrous
HOT OIL BROWN
This also durable a translucent lustrous brown
finish. Color can range from light to dark or both.
HOT OIL FLATTING
This finish is an original Chisler M.F.G. Co. Discovery. Flatting
oil was used back in the 1920s to create eggshell paint finishes. The oil
I use is actually from the 1920s and it appears to be unavailable today. If
you can imagine a bail made of smooth black glass with some areas of flatness
that's the look. This finish is for the person who wants a different look,
this type of finish was probably never used, but is very stunning.
PALO VERDE ON BRONZE
A cupric nitrate finish of light and dark greens with black speckles
sealed in beeswax. A difficult to make finish and very time involved to get
just rite. We have all seen the poor attempts of some to achieve this finish
where the piece looks bright turquoise without any inconsistencies with a
phoniness of being just spray painted. Nobody should be subjected to that.
My Palo Verde finish looks as though it was on a chest outside in the salt
air. And used by many people with oily hands for hundreds of years.
BLUE STEEL ON IRON
A silvery black although the process is called bluing it appears
more silvery black towards gun metal gray maybe just a touch of blue.
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