PATINAS AND TEXTURES DESCRIBED

TANSU BAILS:
There are two basic ways the original bail hardware were made. Some were hand forged and some were cast in sand. Some of the real cheap ones were machined out of wire. Of the hand forged type the texture is the result of the hammer blows. The sand cast process leaves it's own sand paper like texture if left unmachined. Then there is machine hammering processes ranging from light to heavy torture. these textures combined with certain patinas and then high lighted ( some of the patina machined off ) show the handle has had a long and well worn life. On the other end of the texture spectrum there is high micro burnishing for a smooth shinny finish . All my products are cast in very fine to retain the exact look and feel of the original antique handle. With all the tell tail seams removed a piece cast in sand from a hand forged piece now looks exactly like it was hand forged many years ago. Another interesting texture only on certain pieces that were heavily rusted and uniformly pitted produces a beautiful handle with the patina laying in the recesses of the pits with the high parts worn to the metal. Then there is speckled bronze a foundry phenomenon only occurs on certain handles under certain conditions where there are many evenly spaced raised aeries when patinated and high lighted looks unbelievable. There is also hand hammering textures flat, ball peen and cross peen not generally recommended for the tansu bails unless someone is bent on a certain look . Certainly not on the hand forged type they ,they already look hammered. Maybe on the ones that were originally cast that show no hammering.

SOME OF THE PATINA POSSIBILITIES:

HOT OIL CARBON BLACK

This my most called for finish it is a very durable deep rich opaque black can be flat or lustrous

HOT OIL BROWN

This also durable a translucent lustrous brown
finish. Color can range from light to dark or both.

HOT OIL FLATTING

This finish is an original Chisler M.F.G. Co. Discovery. Flatting oil was used back in the 1920s to create eggshell paint finishes. The oil I use is actually from the 1920s and it appears to be unavailable today. If you can imagine a bail made of smooth black glass with some areas of flatness that's the look. This finish is for the person who wants a different look, this type of finish was probably never used, but is very stunning.

PALO VERDE ON BRONZE

A cupric nitrate finish of light and dark greens with black speckles sealed in beeswax. A difficult to make finish and very time involved to get just rite. We have all seen the poor attempts of some to achieve this finish where the piece looks bright turquoise without any inconsistencies with a phoniness of being just spray painted. Nobody should be subjected to that. My Palo Verde finish looks as though it was on a chest outside in the salt air. And used by many people with oily hands for hundreds of years.

BLUE STEEL ON IRON

A silvery black although the process is called bluing it appears more silvery black towards gun metal gray maybe just a touch of blue.
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